When the Internet Moves Faster than the Market: Impacts of Viral Products and Trends in Social Media

Recently, but not shockingly, the internet and its consumers entered a social media-driven craze over a plush monster toy, labubus. The cute, plush monster took over the internet and social media platforms like Tiktok and Instagram, integrating into one of 2025’s latest fashion trends. Created by Kasing Lung in 2015, a labubu is a fictional character that Lung transformed into collectibles by entering into a licensing agreement with Pop Mart in 2019.  

Blackpink’s star Lisa, and celebrities like Rihanna, Dua Lipa, and Kim Kardashian have all contributed to the fame of this doll — making it one of 2025’s most sought after trends. Aside from the various celebrities and influencers that are attributed to the Labubu’s popularity, the collectibles are also sold in what are referred to as “blind boxes”. Essentially, the color and type of the labubu is revealed only after the blind box is bought and received by the buyer – adding to the excitement and anticipation behind finding a rare figure. Labubus were seen all over Instagram and Tiktok, going “viral” as people created memes of them, posted videos unboxing them, and incorporated them into their fashion style.  

The head of licensing at Pop Mart North America, Emily Brough, disclosed that such blind boxes generated more than $419 million in revenue in 2024 — achieving 726.6% year-over-year growth. The generated increased revenue can be significantly attributed to TikTok’s platform, considering as of April 2025, Pop Mart generated $4.8 million in sales on TikTok Shop, a rise of 89% in only one month. The doll rapidly became ultra-desirable on the internet. Although the collection retails at approximately $27 in the U.S., resellers typically double the price on the market, such as $149 on e-bay for a rare Chestnut Cocoa Labubu. Not only do blind boxes play into the fascination behind a Labubu, but resellers also create the concept of exclusivity for the collectibles that ultimately attracts even more consumers. For consumers, Labubus are more than a fashion accessory; owning a Labubu symbolizes being involved and up to date with the current trends, being relatable to other consumers and influencers, and buying something that is highly sought-after.   

With a product like Labubus going viral, it is natural to wonder what exactly the standard is for something to be considered viral.  The Merriam-Webster dictionary describes “viral” as something that is “quickly and widely spread or popularized especially by means of social media”. Although such definition can be broadly applied, the Merriam Webster dictionary explains the simple, core attributes to something that is viral: 1) it is quickly spread, and 2) it is popular. Something can be popular but gain popularity throughout an extended period of time – but what distinguishes a viral product from a typical popular product is the rapid pace the product gains recognition. It could happen in a timeline of a few months, weeks, days, and even overnight. Essentially, a product or trend becomes viral when the promoter of the product creates highly engaging and shareable content that taps into the emotional connection of their audience, who then tap, click, like, comment, and share about the product. The viewer engages more with the post, and the product being mentioned spreads widely throughout the social media universe, quickly earning that viral title.  

Why should the latest trend of Labubus not be considered shocking? The concept of a plush monster being ultra-desirable and extremely sought-after going viral on the internet might not be expected by everyone; but it is important to note that the common ground behind a majority of viral products is the internet. Labubus are only one example of a nearly endless list of trends and viral products social media has boosted. The same effect social media had on Labubus, it also had on Stanley cups in 2023. Viral videos of Stanley cups circulated TikTok, resulting in a significant jump in Stanley’s revenue from approximately $94 million in 2020 to $750 million in 2023. It is clear that social media platforms are an underlying basis for viral products because of the easy access to posts and videos, alongside the individualized algorithms, content creators, celebrities, and e-community that social media platforms like TikTok and Instagram provide. 

It is no secret that celebrities and influencers use social media platforms like Tiktok and Instagram to promote products as part of their brand endorsements. Inevitably, viewers and followers of such celebrities are influenced, resulting in the lifecycle of a trend. The trend typically becomes viral quickly, with much contribution associated to social media algorithms as well, but the product trend cycle is rarely long-term.  

Often, these social media trends that come and go are referred to as “micro-trends”; essentially, micro-trends refer to short-lived trends that gain a high amount of attention in a fairly short period outside of a traditional trend cycle, and ultimately lose public relevance just as fast as they gained it. Micro-trends are advertised through social media as consumer must-haves, creating the ripple effect that consumers feel like they need to buy, buy, buy. The shortened lifecycle of viral products and micro-trends have resulted in a long-term cycle amongst consumers to buy them. It is a full circle of a product going viral, that turns into a micro-trend, leads into overproduction and inevitable overconsumption, creating a higher demand in markets that destabilize economies.  

The issue is that micro-trends are highly associated with the issue of overconsumption that results in companies’ fast production and release of products to keep up with trends.  This issue of overconsumption is accompanied by the rapid and disposable use of micro-trend related products, adding to the broader waste problems that already exist in, for example, the fashion industry. Further, these micro-trends impact the longevity of businesses. The quick turnover of consumers losing interest after these trends hit their highest popularity impacts local businesses from keeping up with the rapid production necessary for micro-trends to exist. Simply put, micro-trends are not sustainable for consumers, businesses, and the environment. For example, fast fashion clothing associated with such micro-trends are commonly received from the Kantamanto Market in Accra, Ghana, where about 40% of the clothing leaves as waste.  

The want and need by consumers to be part of current micro-trends can always be drawn back to social media. Moving away from magazines like Vogue or Elle, social media platforms like TikTok have progressed into the new resource for consumers to find the newest and most popular trend.  Social media algorithms create echo chambers of specific trends by identifying when certain style gains recognition and then feeding users with similar tastes; and from there a micro-trend is born. The algorithm identifies specific trends by recognizing which posts receive the most engagement (what content is viral). The more a post is shared, liked, or commented on, the faster it will spread. These algorithms typically have a faster trend turnaround because users of such platforms have access to almost instant updates of what is trending and what is popular – leading into a loophole of doomscrolling and impulsive spending. Trends are appearing in algorithms at a higher pace and demand than supply chains can respond to. With social media apps and their algorithms, consumers have almost instant access to finding micro-trends and buying into them; and almost instant access creates instant gratification for consumers.  

Algorithms are not the only role in the social media realm that contributes to the viral impact on businesses. Now, social media platforms have also progressed into the new digital storefront, serving as a place to both look and buy. It is simple: open the app, scroll, click, and buy it. E-commerce platforms like Instagram and Tiktok have individualized and specific storefronts to make it easier for their users to buy into the most viral, latest trends, and fast. For example, in 2024, TikTok shop had grown to more than 500,000 United States based sellers within the eight months of launching, and had around 15 million sellers worldwide. E-commerce sites like such can benefit companies that prioritize overconsumption, but they also can promote micro-trends. Algorithms and e-commerce sites can have the ability to strongly affect the economy, where in 2024, economists at the Federal Reserve discovered that inflation-adjusted spending on retail goods increased compared to 2018. Additionally, businesses are impacted as consumers are being drawn away from shopping in-person at small, local, and traditional retailers. The overarching economic impact can be conceptualized by the fact that viral products and micro-trends result in temporary, short-term sales, while creating long-term instability in businesses.  

With the rise of e-commerce in social media, also comes the rise of issues for consumers. Whether in store or online, consumers have the right to safety, to be informed, to choose, to be heard, and to redress. To protect consumers, businesses can provide clear, transparent information about their products; maintain fair transactions; hold themselves accountable for the safety of their products; and protect the privacy of their consumers. Given the large volume of transactions taking place on e-commerce sites, it becomes a challenge to accurately and properly regulate and monitor all transactions to protect against any and all issues that may arise. Consumers are now concerned with where the personal information they share is going, avoiding cyber fraud and scams, and receiving low quality products.

Even further, new issues regarding consumer safeguards such as intellectual property concerns are introduced. For example, with social media’s rapid spread of products and trends, copycat products are becoming increasingly more common. A copycat product is a product that is designed, branded, or packaged to resemble exactly the like of a well-established competitor. Copycat products are created deliberately, to use the established brand’s identity and reputation and market off that. The legal implications associated with copycat products include trademark infringement, unfair competition, and consumer fraud liability. Brands will reproduce viral creator designs without permission and devalue creative labor, and viewers are more susceptible to believing and trusting such copycat products are either associated with the original or of similar quality. However, influencers must be aware that when using social media to share and promote products, and earn that viral title, if the product is a dupe, or a copycat, it could fall under a violation of Section 5(a) of the Federal Trade Commission Act.

In 2020, Amazon filed a lawsuit against two influencers, Kelly Fitzpatrick and Sabrina Kelly-Krejci, alleging they promoted counterfeit products on their social media account. The two influencers were accused of using Instagram, Facebook, and TikTok accounts and working with eleven other individuals/businesses to promote fake luxury items sold on Amazon. The listings were an effort to dupe Amazon’s counterfeit detection tools. Although the lawsuit concluded in a settlement in 2021, and both influencers were barred from marketing, advertising, and promoting products on Amazon, this lawsuit serves as one of the many examples of legal implications that arise from the merge between the power of social media and e-commerce. Specifically for Amazon, their marketplace along with the associated third-party sellers makes up for more than half of their overall e-commerce sales. However, the strong possibility of counterfeits (copycat products) and unsafe products have become a notorious problem extending outside Amazon’s ecosystem and into the entire e-commerce realm.

E-commerce’s part towards overconsumption can be analyzed by looking at the four step process behind purchasing a product: awareness, desire, consideration, and purchase. Because of how quickly products become viral and how fast micro-trends come and go, this four step process for consumers is sped up. Often, consumers will jump from awareness to purchase if the price tag is small enough. Either way, the desire gets created when either the algorithm brings it to the viewer or a content creator references it. Many posts will draw consumers’ attention to e-commerce sites, showing them how easily accessible their shopping can be, by merging social media and e-commerce. Other methods retailers use to draw in consumers are cognitive biases. For example, countdown banners can create an urgency bias amongst consumers that they need the product now; and a social proof bias can push the consumer who is considering to purchase to buy when they see tags highlighting how many people have bought it or how high the ratings are.

Outside the U.S., in February 2025 the EU Commission has commenced an investigation into online company SHEIN’s compliance with EU Consumer laws, urging SHEIN to stop using dark patterns like fake discount and pressure selling. The Commission’s complaint essentially requests SHEIN stops using deceptive techniques such as “confirm shaming” to play into the consumer’s emotions and to provide substantive evidence that shows customer testimonials or messages referring to “low stock” are genuine. The Commission connects SHEIN’s “dark patterns” to the fuel of over-consumption that is environmentally harmful. Such dark patterns play into the cognitive biases that drive consumers to buy. The EU Commission’s efforts into investigating such impacts should be a standard the U.S. takes into account. Although the overwhelming size of the internet and presents issues of controlling its regulation, increasing investigations can be a start in protecting consumers.

Although the progression of e-commerce and social media bring initial yet exciting benefits to consumers,  the intricacies should not be overlooked. It is important to identify when our internet moves faster than our market. Viral products and trends may have a short lifecycle, yet their impacts can have the potential to be longstanding for businesses and consumers. 

Francesca Rocha

November 12, 2025

Alarming Side of Youtube

Social media has now become an integrated part of an individual’s life. From Facebook to twitter, Instagram, snapchat to the latest edition, that is TikTok, social media has made its way into a person’s life and occupies the same value as that of eating, sleeping, exercising etc. There is no denying the dopamine hit you get from posting on Instagram or scrolling endlessly, liking, sharing, commenting and re-sharing etc. From checking your notifications and convincing yourself, “Right, just five minutes, I am going to check my notifications” to spending hours on social media, it is a mixed bag. While I find that being in social media is to an extent a way to relax and alleviate stress, I also believe social media and its influence on peoples’ lives should not cross a certain threshold.

We all like a good laugh. We get a good laugh from people doing funny things on purpose or people pranking other people to get a laugh. Most individuals nowadays use some sort of social medial platforms to watch content or make content. YouTube is once such platform. After Google, YouTube is the most visited website on the internet. Everyday about a billion hours of videos are watched by people all over the world. I myself, contribute to those billion hours.

Now imagine you are on YouTube, you start watching a famous youtuber’s videos, you then realize this video is not only disturbing but is also very offensive. You stop watching the video. That’s it. You think that is a horrible video and think no more of it. On the contrary, there have been videos on YouTube which have caused mass controversy all over the internet since the platforms birth in 2005. Let us now explore the dark side of YouTube.

There is an industry that centers around pranks done to members of the public which is less about humor and more about shock value. There is nothing wrong with a harmless prank, but when doing a prank, one must be considerate how their actions are perceived by others, one wrong move and you could end facing charges or a conviction.

Across the social media platform there are many creators of such prank videos. Not all of them have been well received by the public or by the fands of the creators. One such incident is where YouTube content creators, Alan and Alex Stokes who are known for their gag videos plead guilty to charges centering around fake bank robberies staged by them.

The twins wore black clothes and ski masks, carried cash filled duffle bags for a video where they pretended to have robbed a bank. They then ordered an uber who, unaware of the prank had refused to drive them. An onlooker called the police believing that the twins had robbed a bank and were attempting to carjack the vehicle. Police arrived at the scene and held the driver at gunpoint until it was revealed and determined that it was a prank. The brothers were not charged and let off with a warning. They however, pulled the same stunt at a university some four hours later and were arrested.

They were charged with one felony count of false imprisonment by violence, menace or fraud, or deceit and one misdemeanor count of falsely reporting an emergency. The charges carry a maximum penalty of five years in prison. “These were not pranks. These are crimes that could have resulted in someone getting seriously injured or even killed.” said Todd Spitzer, Orange County district attorney.

The brothers accepted a bargain from the judge. In return for a guilty plea, the felony count would be reduced a misdemeanor resulting in one year probation and 160 hours of community service and compensation. The plea was entered despite the prosecution stating that tougher charges were necessary. The judge also warned the brothers, who have over 5 million YouTube subscribers not to make such videos.

Analyzing the scenario above, I would agree with the district attorney. Making prank videos and racking up videos should not come at the cost of inciting fear and panic in the community. The situation with the police could have escalated severely which might have led to a more gruesome outcome. The twins were very lucky, however, in the next incident, the man doing a prank video in Tennessee was not.

In filming a YouTube prank video, 20 year old Timothy Wilks was shot dead in a parking lot of an Urban Air indoor trampoline park. David Starnes Jr, admitted to shooting Wilks when he and an unnamed individual approached him and a group wielding butcher knives and lunged at them. David told the police that he shot one of them in defense of himself and others.

Wilks’s friend said they were filming a video of a robbery prank for their YouTube channel. This was a supposed to be a recorded YouTube video meant to capture the terrified reactions of their prank victims. David was unaware of this prank and pulled out his gun to protect himself and others. No one has been charged yet in regard to the incident.

The above incident is an example of how pranks can go horribly wrong and result in irreparable damage. This poses the question, who do you blame, the 20 years old man staging a very dangerous prank video, or the 23-year-old who fired his gun in response to that?

Monalisa Perez, a youtuber from Minnesota fatally shot and killed her boyfriend in an attempt to film a stunt of firing a gun 30 cm away from her boyfriend, Predo Ruiz, who only had a thick book of 1.5inch to protect him. Perez pleaded guilty to second degree manslaughter and was sentenced to six months’ imprisonment.

Perez and her boyfriend Ruiz would document their everyday lives in Minnesota by posting pranks videos on YouTube to gain views. Before the fatal stunt, Perez tweeted, “Me and Pedro are probably going to shoot one of the most dangerous videos ever. His idea, not mine.”

Perez had previously experimented before and thought that the hardback Encyclopedia would be enough to stop the bullet. Perez fired a .50-calibre Desert Eagle, which is known to be an extremely powerful handgun which pierced the encyclopedia and fatally wounded Ruiz.

Perez will serve a 180-day jail term, serve 10 years of supervised probation, be banned for life from owning firearms and make no financial gain from the case. The sentence is below the minimum guidelines, but it was allowed on the ground that the stunt was mostly Ruiz’s idea.

Dangerous pranks such as the one above has left a man dead and a mother of two grieving for fatally killing her partner.

In response to the growing concerns of filming various trends and videos, YouTube have updated their policies regarding “harmful and dangerous” content and explicitly banned pranks and challenges that may cause immediate or lasting physical or emotional harm. The policies page showcases three types of videos that are now prohibited. They are: 1) Challenges that encourage acts that have an inherent risk of sever harm; 2) Pranks that make victims they are physical danger and 3) Pranks that cause emotional distress to children.

Prank videos may depict the dark side of how content crating can go wrong but they are not the only ones. In 2017, youtuber, Logan Paul became the source of controversy after posting a video of him in a Japanese forest called Aokigahara near the base of Mount Fuji. Aokigahara is a dense forest with lush trees and greenery. The forest is, however, infamous for being known as the suicide forest. It is a frequent site for suicides and is also considered haunted.

Upon entering the forest, the youtuber came across a dead body hung from a tree. The actions and depictions of Logan Paul around the body are what caused controversy and outrage. The video has since been taken down from YouTube. An apology video was posted by Logan Paul trying to defend his actions. This did nothing to quell the anger on the internet. He then came out with a second video where he could be seen tearing up on camera. In addressing the video, YouTube expressed condolences and stated that they prohibit such content which are shocking or disrespectful. Paul lost the ability to make money on his videos through advertisement which is known as demonetization. He was also removed from the Google Preferred program, where brands can sell advertisement to content creators on YouTube.

That consequences of Logan Paul’s actions did not end there. A production company is suing the youtuber on the claims that the video of him in the Aokigahara resulted in the company losing a multimillion-dollar licencing agreement with Google. The video caused Google to end its relationship with Planeless Pictures, the production company and not pay the $3.5 million. Planeless Pictures are now suing Paul claiming that he pay the amount as well as additional damage and legal fees.

That is not all. Youtube has been filled with controversies which have resulted in lawsuits.

A youtuber by the name of Kanghua Ren was fined $22300 and was also sentenced to 15 months imprisonment for filming himself giving a homeless man an oreo filled with toothpaste. He gave 20 euros and oreo cookies to a homeless which were laced with toothpaste instead of cream. The video depicts the homeless man vomiting after eating the cookie. In the video Ren stated that although he had gone a bit far, the action would help clean the homeless person’s teeth. The court, however, did not take this lightly and sentenced him. The judge stated that this was not an isolated act and that Ren had shown cruel behaviour towards vulnerable victims.

These are some of the pranks and videos that have gained online notoriety. There are many other videos which have portrayed child abuse, following a trend by eating tidepods as well as making sharing anti-Semitic videos and using racist remarks. The most disturbing thing about these videos is that they are not only viewed by adults but also children. In my opinion these videos could be construed as having some influence on young individuals.

Youtube is a diverse platform home to millions of content creators. Since its inception it has served as a mode of entertainment and means of income to many individuals. From posting cat videos online to making intricate, detailed, and well directed short films, YouTube has revolutionized the video and content creation spectrum. Being an avid viewer of many channels on YouTube, I find that incidents like these, give YouTube a bad name. Proper policies and guidelines should be enacted and imposed and if necessary government supervision may also be exercised.

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